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Changing western concepts

Of course, the slim, firm, and muscular body ideal for women which prevails in the West today, along with the tall thinness of models, are only the latest in the history of Euro-American body ideals. The rise in the sixteenth century of Neoplatonism, which saw concrete forms as expressions of divine ideas, and, as a corollary, saw the body as an expression of the soul, led to higher appreciation of beauty and a change in the ideal. As intelligence and force were divine gifts of the male body, beauty was the divine gift of the female body. Thus female beauty changed from being dangerous to being divine, and the previous ethereal female was succeeded by large, opulent beauties. During the eighteenth century this majestic type was superseded by a more slender and younger ideal for women, while the former, maternal type was denigrated to the status of ‘peasant’ beauty. This sylph-like early Victorian woman was followed by the voluptuous mid Victorian woman and the Edwardian woman of the late nineteenth century. Where the Victorians stressed a curvaceous hourglass figure, with a full bosom, small waist, and wide hips, the Edwardian woman was taller, weighed more, and had a larger bosom, but somewhat slimmer hips. Thinness was out of vogue and thin women were told to cover their ‘angles’.